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Rear Window
(1954)
In Alfred Hitchcock's superb nail-biting thriller
about a mostly confined incapacitated photographer with a broken
leg in his apartment, he kept occupied by his rear window view
into other apartments across the building's courtyard -
it was an intriguing, brilliant, macabre visual study of obsessive
human curiosity and voyeurism:
- in the opening voyeuristic sequence of efficient
visual story-telling, the camera tracked out through the
framed windows of a Greenwich Village apartment (surrounded by
other Lower East Side apartment structures), and introduced the
setting and entire complex - a lower courtyard and garden
- the opening camera tracking was followed by a
long panning camera movement to view the lives of some of the apartment
neighbors, including an older dog-loving couple sleeping on an outside
fire escape to avoid the heat, a blonde exerciser known as "Miss
Torso" (Georgine Darcy), and a tour of
the subject in the camera's apartment - a man immobilized
in a wheelchair with his leg in a cast was identified as photographer
L.B. "Jeff" Jefferies
(James Stewart)
- Jeff's sharp-tongued, visiting nurse-therapist
Stella McCaffery (Thelma Ritter) disapproved of his spying on neighbors
and denounced the practice: "Oh dear, we've become a race of
Peeping Toms. What people oughta do is get outside their own house
and look in for a change. Yes, sir. How's that for a bit of home-spun
philosophy?"; the confined Jeff's "peeping
tom" static camera point-of-view was from his Greenwich Village
apartment's rear window where he was stuck
in his wheelchair
- Stella also cautioned Jeff about
his lack of roots and commitment, his sidestepping of marriage and
his lukewarm attitude toward Lisa Carol Fremont (Grace Kelly), his
fashion-model girlfriend
- Jeff's high-fashion model and
girlfriend Lisa glamorously appeared
in front of the stationary individual Jeff; she was a stylish vision
of beauty - elegant, lovely, affluent, and blonde; she bent over,
and then lovingly kissed him, roused and awakened him from his sleep;
she suggestively whispered a number of questions to him: " Lisa: "How's
your leg?" Jeff: "It hurts a little." Lisa: "And
your stomach?" Jeff: "Empty as a football." (She kissed
him again) Lisa: "And your love life?" Jeff: "Not
too active." Lisa: (smiling) "Anything else bothering you?" Jeff: "Mm-hmm.
Who are you?"; as she flicked on the apartment's lights one-by-one,
she told him her name, disjointedly: "Lisa - Carol - Fremont."
Jeff's Girlfriend - Glamorous Model Lisa Fremont
(Grace Kelly)
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- later that evening, there was a suspicious
female scream and the sound of breaking glass; the next day, Jeff
told Stella about the mysterious and suspicious comings and goings
on the part of his across-the-courtyard neighbor Lars
Thorwald (Raymond Burr) the previous stormy night; he
viewed Thorwald making repeated late-night trips carrying a suitcase;
not satisfied with the binoculars, Jeff reached for a huge, high-powered
telephoto lens - not to take pictures but to observe
- later that evening, Jeff and Lisa passionately
hugged and kissed in his apartment, but she was mostly being romantically
ignored and overlooked as Jeff became
more and more obsessed by his neighbor's activities; Lisa became
critical that he had become an obsessed Peeping Tom, as Stella
had earlier warned
- but then, as Jeff offered more morbid theories
about Thorwald's suspicious activities and observations (he viewed
the salesman wrapping a saw and a butcher knife in newspaper, and
putting rope around a large trunk), Lisa
concluded that Jeff's insane, sinister, and imaginative conclusions
might be accurate; however, Jeff's continuing obsession with his
neighbor was dissuaded by his NYC police detective friend Lt. Tom
Doyle (Wendell Corey), and Stella, calling Jeff's exaggerated observations
misinterpreted evidence
- however, Lisa continued to speculate that Thorwald
was involved in an adulterous relationship with a female accomplice
in the murder of his wife; she became convinced of the truth of
Thorwald's guilt
- there were further concerns when an upstairs older
couple's (Sara Berner and Frank Cady) dog (that was seen digging
in the garden) was found dead in the courtyard from strangulation,
punctuated by the distraught dog owner: ("Which
one of you did it? Which one of you killed my dog?"); the
dead dog laid on the concrete in front of Thorwald's garden - maliciously
killed with its neck broken
- Jeff noticed that the only
person who didn't emerge from inside when the dog was discovered
was Thorwald, seen smoking a glowing cigarette in his darkened
apartment [later, it was theorized that the dog became "too
inquisitive," so Thorwald had to dig up one of Mrs. Thorwald's
body parts from the flower bed and move it elsewhere, and murder
the snooping dog]
- to confront the possible killer, Jeff had Lisa deliver an anonymous
note asking, "What have you done with her?"; Jeff also daringly
had Lisa and Stella dig in the garden for evidence (while Thorwald
was lured away), but when they didn't find anything, Lisa decided
to enter Thorwald's apartment to look for the wife's wedding ring
- in the film's most suspenseful
scene, Lisa tensely explored and searched in suspected wife-murderer
Thorwald's apartment for incriminating evidence just before he
returned - she was ecstatic when she found an alligator hand-bag,
proof of Thorwald's guilt - he must have murdered her because,
according to Lisa, no woman goes on a trip leaving behind her favorite
jewelry (or handbag); Jeff nervously reacted as he watched powerlessly
and helplessly from across the courtyard when Lisa was trapped
and confronted face-to-face in the apartment by Thorwald. Caught,
she was assaulted but rescued when the police arrived in the apartment's
corridor just in time to prevent any serious injury
- during questioning, to signal that she had found
the ring, Lisa pointed to Thorwald's wife's wedding ring on
her own finger that she waved behind her back; Lars noticed her signals and the wedding
ring, and followed the sight-line of the signal sent by Lisa (behind
her back) to Jeff in his apartment and triangulated the view -
he spotted the mortal threat
Using Lisa to Infiltrate Into Thorwald's Apartment
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- Thorwald looked up and discovered that Jeff,
his tormentor, was watching from the apartment window across the
courtyard, looking directly into his telephoto lens; it was the
first time he had noticed the voyeuristic spy in the apartment
complex - it was a chilling moment in the film as he saw the threatening
spectator and knew where he lived; Thorwald was alerted to the
fact that he was being watched, and the tables were now turned
- Jeff was left alone in his apartment, and he noticed that Lars' apartment
was dark; when his phone rang (after an earlier call from Det. Lt.
Thomas J. Doyle (Wendell Corey)), he didn't wait to hear who the caller
was, assuming it was Tom; he blurted out: "Tom,
I think Thorwald's left. I don't...Hello.."; the phone clicked
off and disconnected - Jeff slowly realized his error - it was not
Tom, his detective friend
- in the tension-filled finale, Jeff was
confronted by the killer in his own apartment - when Jeff heard
heavy footsteps climbing the stairs outside his apartment, Jeff
wheeled himself around to grab his flash equipment and a long box
of flashbulbs to protect himself; then, he positioned himself in
front of his rear window so that he was darkly silhouetted by it;
eventually, the dark figure of Thorwald slowly opened the door
and entered
- at first, Jeff fended him off with bright flash-bulb
flashes from his camera and its exploding flash mechanism - once,
twice, three times, and then a fourth time; each whitish-blue flashbulb
flash was followed by a red after-glow filling the entire frame,
from Thorwald's dazed perspective; but then he became a victim of
attempted strangulation
Suspenseful Finale
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Jeff Using Flash-Bulbs to Ward Off Attacking Thorwald
in His Apartment
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- Thorwald dumped Jeff out of the wheelchair
and through the open window, where he dangled from the window ledge
three floors above the courtyard as Thorwald tried to push him to
his death; detectives grabbed Lars from behind at the last minute,
but Jeff let go and fell backward to the ground below - his fall
to the courtyard was partially broken by detectives; reunited, Jeff's
head was cradled in Lisa's arms as she heard him congratulate her: "I'm
proud of you"
- Jeff was shortly later seen
now with a cast on both of his broken legs, and congratulated that
his suspicions were well-founded - Thorwald had confessed to the police
that he had murdered his wife, dismembered her, and distributed his
wife's body parts in the East River; earlier, because the dog had become "too
inquisitive," Thorwald was forced to dig up Mrs. Thorwald's head from the flower garden
bed and move it to a hat box in his apartment
- the ending shot was of a pants-wearing Lisa reading an adventure tale
- Beyond the High Himalayas, by William
O. Douglas; after noticing that Jeff was
asleep and not watching her, she switched off her male image by
putting down her material and assertively substituting her own
preferred Harper's Bazaar magazine
- the deeply ironic final shot was of a window shade
rolling down on the voyeuristic film audience before the ending Paramount
Studios logo
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Greenwich Village Apartment Courtyard
Jeff's Leg Cast
Jeff's Nurse-Therapist Stella (Thelma Ritter)
Jeff's Voyeurism With His Camera's Telephoto
Jeff Spying on Neighbor Lars Thorwald (Raymond Burr)
Discovery of Their Strangled Dog: ("Which one of you
did it? Which one of you killed my dog?")
Thorwald's Discovery of Jeff's Spying - The Sightline
Thorwald's Discovery - The Location of the Phone Call
Jeff Assaulted and Thrown Out His Window by
Thorwald
After Jeff's Fall, Jeff told Lisa: "I'm
proud of you"
Ending Sequence
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