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Sorry, Wrong Number (1948)
In director Anatole Litvak's engrossing, expressionistically-filmed,
psychological thriller and film noir classic - it was adapted from a
famous and popular 1943 CBS radio play (one-half hour) with Agnes
Moorehead by the play's author Lucille Fletcher:
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after the opening credits, inter-titles explained:
" In the tangled networks of a great
city, the telephone is the unseen link between a million lives...It
is the servant of our common needs - - the confidante of our
inmost secrets... life and happiness wait upon its ring... and
horror ... and loneliness ... and death!!!"
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the
suspenseful film opened in a Manhattan apartment with a view
of a bedridden, spoiled, manipulative hypochondriac heiress Leona
Stevenson (Oscar-nominated Barbara Stanwyck), whose domineering
father was wealthy, drug company industrialist James "J.B." Cotterell
(Ed Begley); an invalid, she was confined to her bed or wheelchair
on the top floor of a claustrophobic Manhattan apartment
- that particular night, her husband Henry Stevenson
(Burt Lancaster) was late and overdue, and her nurse had the night
off. (She later was informed that Henry had to unexpectedly go
out of town by train to an annual drug convention in Boston and
wouldn't be back for a few days)
- feeling vulnerable, she made a call from her home
phone (PLaza 5-1098) to her husband Henry's VP office, when she
accidentally overheard a crossed-wires telephone conversation between
two thugs. The strangers were discussing the lurid details of a
planned murder plot for that evening at 11:15 (the exact time of
a loud, passing train) - "I get in through
the kitchen window at the back. Then I wait till the train goes
over the bridge - in case her window is open and she should scream....Make
it quick. Our client doesn't wish to make her suffer long...And
don't forget to take the rings and bracelets - and the jewelry
in the bureau drawer. Our client wishes to make it look like simple
robbery"; she began to fear that she was the intended victim
- she reported the "unnerving" and "ghastly" call
to the telephone operator: "It was about a murder, a terrible,
cold-blooded murder of a poor, innocent woman tonight at 11:15." Then,
the invalid neurotic woman reported her fears to the operator and
to police authorities, but they didn't believe her
- she attempted to make contact with someone before
it was too late - gradually, she began to realize that she was
to be the object of the planned homicide. Her frantic phone calls
to get help were to:
- Elizabeth Jennings (Dorothy Neumann), her husband's
office secretary
- Sally Hunt Lord (Ann Richards), her former married
acquaintance (Henry's ex-girlfriend), now married to city DA-lawyer
Fred Lord (Leif Erickson)
- Henry J. Stevenson, Leona's missing, weak-minded,
henpecked and greedy husband (she recalled her first encounter
with her husband and parts of her life with him and others
were presented through a series of well-constructed flashbacks);
he was a lowly drug-store employee before love-struck Leona
("The Cough Drop Queen") stole him away from Sally
Hunt, his loving girlfriend at the time; after a short romance
and despite her father's reluctance, Leona married Henry, who
then became a do-nothing VP in his father-in-law's pharmaceutical
company, the Cotterell drug company based in Chicago; he even
admitted: "I have a nice office, my name on the door,
even a secretary. But what do I do? Nothing...No matter how
hard you try, you know you'll never get anywhere"
- Dr. Philip Alexander (Wendell Corey), Leona's
NYC doctor, who revealed his recent diagnosis to Henry (and
later to Leona) that her health (heart) issues were only psycho-somatic
and didn't pose a serious risk of death: "There's absolutely
nothing wrong organically with her heart. It's sound as a bell...Her
condition is mostly mental. She's what we call a cardiac neurotic.
Her attacks don't spring from any physical weaknesses. They're
brought on by her emotions, her temper and her frustrations";
however, he added: "Mentally she's very sick and her attacks are real enough.
They give her acute distress, even pain"
- Waldo Evans (Harold Vermilyea), a timid chemist
working at the Cotterell drug company, who owned a deserted
house (at 20 Dunstan Terrace) on Staten Island - it was a rendezvous
point (that he later burned to the ground); Henry persuaded
Waldo to engage in a plot to secretly remove drugs from the
plant and sell them for a profit - the Staten Island house
was their "headquarters"
- she was unaware that Henry had a number of dirty
secrets after 8 years of marriage. She learned through Elizabeth
that Henry had met - suspiciously - with Henry's ex-girlfriend
Sally for lunch. Coincidentally, Sally was married to city district
attorney Fred Lord who was investigating Henry who was possibly "in
trouble"
- for involvement in some unspecified illegal activity
- as the film unfolded, Leona also learned from Waldo
in a phone call that it appeared that her husband Henry had been
engaged in the theft of drugs from the Cotterell's medicinal plant
(in Cicero, IL and then in Bayonne, NJ) that were then trafficked
to a crooked fence named Morano (William Conrad) for a cut of the
profits. After a number of months, the greedy
Henry began to swindle Morano by absconding with some of the drugs
in order to make more of a profit. When Morano found out, the blackmailer
insisted that Henry pay off an IOU debt of $200,000 within 90 days.
This was when Henry decided to get rid of his manipulative and controlling
wife in order to inherit her estate (and an insurance payout) to pay
off the debt of $200,000 to the blackmailing Morano, by hiring a hitman
to kill Leona [Note:
He couldn't count on her dying since her heart illness was only psychosomatic.]
- however, with Morano's recent arrest putting him
in police custody, now it appeared that Henry would no longer be
threatened by blackmail, and therefore, his murder-for-hire scheme
to eliminate his wife was no longer necessary ("I do not
believe it was Mr. Morano - the name is spelled M-O-R-A-N-O who betrayed
us to the police as Mr. Morano has already been arrested. So there's
no necessity for the money now")
- after a number of revealing phone calls and flashbacks,
Leona was powerless and time was dwindling in the thrilling finale;
she became increasingly desperate as 11:15 pm approached: ("I'm
a sick woman and I'm all alone in this horrible empty house!").
When Henry called collect at about 11:10 pm, Leona admitted she
had just learned of Henry's dirty dealings through timid company
chemist Waldo Evans, and realized he was in
deep trouble. She said she would have bailed him out with money
if he had asked: ("I
would've given it to you gladly if it would've saved your life").
Henry confessed his guilt ("I confess everything, everything.
I did steal from your father, and I was so desperate I even tried
- I arranged to have you..."), but also regretted that it
was too late to stop the killer
- Henry instructed
her to go to her balcony and scream for help: ("I want you to
get out of that bed and walk to the window. I want you to scream
out into the street"),
but then, the intruder's shadow appeared in the stairwell, entered
her room and strangled her to death - after covering her with
his shadow. Henry listened until she hung up the phone - she
was murdered at 11:15, when her hysterical screams were drowned out
by a passing train
- in the final line of dialogue
when Henry called back, a white gloved hand picked up the phone receiver.
Henry heard the film's title spoken by an unknown voice: "Sorry,
wrong number"
Henry on Phone With Desperate Leona
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Intruder's Shadow in Stairwell Outside Leona's Room
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Leona's Scream As She Was Murdered
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Leona Stevenson (Barbara Stanwyck)
Overhearing Murder Plot on Crossed Phone Line
James "J.B." Cotterell (Ed Begley)
Leona Experiencing Flashbacks
Leona Cotterell Romancing and Marrying Henry in Past
Leona Beginning to Be Scared
Phone Call From Waldo Evans (in Shadow) to Leona
Blackmailing Fence Morano (William Conrad)
Shadow of the Murder-For-Hire Intruder Outside the Apartment
Fearing For Her Life
Last Line: "Sorry, wrong number"
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